法鼓山之美II The Beauty of Dharma Drum Mountain 法華之美‧溪流之美 The Beauty of the Lotus Bell and Streams 一進入法鼓山世界佛教教育園區,便能感受到人間淨土的力量。每一處都充滿悠然禪味,每一步都讓人感到安心自在,可以靜觀天地 萬物的蓬勃生機,體驗清淨心靈,這便是最自然的境教陶冶。 Enter the Dharma Drum Mountain World Center for Buddhist Education, where you can feel the power of a pure land on earth. Where every inch of ground is infused with the flavor of Chan, and every step brings peace and ease. Contemplate the vitality of nature, and experience a purity of soul, in the most natural environment for personal learning and cultivation. 1.法華之美 The Beauty of the Lotus Bell 矗立在法鼓山的法華鐘,是整部《法華經》的縮影,融合了古今名家的書法和繪畫藝術,堪稱傳統工藝與現代科技的完美結合,古樸莊重,不僅是法鼓山的鎮山之寶,也是世界級的藝術創作作品。 Situated on Dharma Drum Mountain, the Lotus Bell, cast with the entire text of the Lotus Sutra, features calligraphy and painting by prominent artists in a perfect marriage of traditional craftsmanship and modern technology. Simple and dignified, it is a treasure of Dharma Drum Mountain and a world-class work of art. 2.溪流之美 Beauty of the Streams 法鼓山園區有法印溪和曹源溪雙溪環抱,匯流成龍溪,淙淙溪水,終年不竭。法鼓山不但以護岸工程保護山林野溪,並巧用溪流沖刷而下的石塊布置園區,形成渾然天成美景。無論是聽溪、觀瀑、賞 水、經行、禪坐,都是體驗生活禪味的絕佳場景。 The Dharma Drum Mountain complex is surrounded by the sound of Fayin Stream and Caoyuan Stream, which converge to form Dragon Stream. Dharma Drum Mountain has preserved the forest and streams with a river-bank protection project, and used stones washed down by the streams to create a beautifully natural and scenic landscape. Whether listening to the stream, watching the waterfalls, admiring the water, or sitting in meditation on a rock, the complex is an ideal environment to experience Chan in daily life.
To my knowledge there are no anthologies of Ch’an poetry in Chinese, Japanese or English which describe in detail the method of practice and the experience of Ch’an Furthermore, there are few prose sources in English dealing with the same topics On the other hand, there are numerous books in English that relate the episodes of the kung-ans(koans)The prevailing view that comes from reading these stories is that the practice of Ch’an is methodless, and since there is no way to describe the experience of Ch’an, it is suggested that we just go ahead and practice by studying the kung-ans The purpose of these poems is different in that they specifically show you how to practice, what attitudes to cultivate and what pitfalls to beware of Finally, they attempt to describe the ineffable experience of Ch’an itself These poems flow directly from the minds of the enlightened Ch’an masters; we get a glimpse into their experience at the time of, and after their enlightenment In contrast, in reading a kung-an we get an objective story of what happened and we don’t really know what was in their minds. It is my hope that this collection of poems will give those who are interested in the practice a new way of looking at Ch’an and a more balanced view of the scope of Ch’an literature The present selection is offered to make this tradition available to Western readers who may otherwise not be aware of their existence.
Huatou is a skillful method for breaking through the prison of mental habits into the spacious mind of enlightenment. The huatou is a confounding question much like a Zen koan. Typical ones are 「What is wu (nothingness)?」 or 「What was my original face before birth-and-death? 」 But a huatou is unlike a koan in that the aim is not to come up with an answer. The practice is simple: ask yourself your huatou relentlessly, in meditation as well as in every other activity. Don’t give up on it; don’t try to think your way to an answer. Resolve to live with the sensation of doubt that arises, and it will pervade your entire existence with a sense of profound wonder, ultimately leading to the shattering of the sense of an independent self. Master Sheng Yen brings the traditional practice to life in this practical guide based on talks he gave during a series of huatou retreats. He teaches the method in detail, giving advice for dealing with the typical pitfalls and problems that arise, and answering retreat participants’ questions as they experience the practice themselves. He then offers commentary on four classic huatou texts, grounding his instructions in the teaching of the great Chan masters.
Master Sheng-Yen has devoted much of his life to spreading the teachings of Chinese Buddhism—a practice that antedates the more familiar Japanese and Tibetan traditions—throughout the world. He became known in the United States after he began founding meditation centers here in 1980. Now in his late seventies, he tells the remarkable story of his life and spiritual education in FOOTPRINTS IN THE SNOW. From descriptions of the private world of Buddhist masters to first-hand accounts of Chinese history, it is a rare document that is both an important look at China’s past and a compelling spiritual journey across a lifetime. Sheng-Yen’s story is of a life lived in the last years of the Republic of China, the Sino-Japanese War, and the founding of the People’s Republic of China. An eye-opening slice of modern history as well as an authoritative introduction to an ancient religious tradition, FOOTPRINTS IN THE SNOW will appeal to spiritual seekers, travelers who want to understand more about China, or anyone looking for a fascinating story.
From The Preface By Dan Stevenson EN. SHENG YEH is a master in the Caodong and Linji lineages of Chan〈Zen〉 school, who for twenty five years now has been guiding students from Taiwan, the United States, and Europe in the practice of Chan Buddhism. Hoofprint of the Ox provides a systematic introduction ─ in Sheng yen,s own words ─ to the principles that inform his particular style of Chan training.... In the final analysis, it is an unabashedly normative work ─ a book on Chan practice addressed to an English speaking audience with a personal interest in Buddhism. To the extent that this audience is also primarily Western, Hoofprint is more than passive report of Sheng yen,s personal convictions. It situates those convictions in responsive relation to specific expectations about Chen practice current among Western students, with specific points to be made.